ilana shafir  

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  Butterflies Fans Meetings
       
 
  Burning Bush Green World Aquatic Life
       
 
  Metamorphosis II Paradise Wedding Tent
 
  Shafir's early experiments in painting were landscapes and portraits depicting life in Kula, a small village in southern Yugoslavia, where her family took refuge during the war. Using oil paints that were salvaged from happier years, Shafir painted on book covers and traded her paintings as exchange for food. Later in Israel, she rendered the faces of new immigrants, survivors of the holocaust like herself, whose facial features reflected their diverse ethnic origins. In the early sixties, as the need to depict sad Jewish faces subsided, Shafir turned to nature as a source of inspiration. With a sudden shift in focus, she found herself painting the dreamlike realm of paradise, using watercolor to reflect her fascination with the miracle of creation, and the abundant beauty and variety of nature.

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